For instance, a brief segment from Molly’s first sentence, discussing Mrs. It is almost inaccurate to even describe Molly’s soliloquy as her stream of consciousness a more precise explanation might label this eight-sentence episode as Molly’s exhausted compilation of various words and opinions. First, without the presence of periods, commas, or evidence of punctuation in general, this incidence of stream-of-consciousness is unparalleled.
While the great majority of Ulysses is documented through a stream-of-consciousness technique from the viewpoints of primarily Stephen or Leopold Bloom, Molly Bloom’s Episode Eighteen is drastically different from all of the others. Additionally, Molly Bloom’s feminine expressivity illustrates Joyce’s perception of women and fully encompasses their role within the novel. Through this episode, Joyce displays an eccentric form of literature, creating an epic culmination to his legendary masterpiece. Molly Bloom, Leopold Bloom’s sexually flirtatious wife, narrates her feminine viewpoint on assorted events and her relationship with Bloom in an eight-sentence, 37-page collection of lethargic, unpunctuated words, thoughts, and opinions. The final episode, Episode Eighteen (also known as “Penelope”), delivers the novel from the female perspective of Molly Bloom. From the form of a play script in Episode Fifteen to the question-and-answer narrative in Episode Seventeen, Joyce explores various methods, challenging the conventional modes of storytelling. While the first thirteen episodes present a substantial number of questions, confusion, and comedic relief, the remaining five experiment with alternative narrative techniques. With a variety of characters, a stream-of-consciousness narrative, parodies, allusions, and obscenities, Joyce’s eighteen-episode novel illustrates only a single Dublin day. James Joyce’s Ulysses is unlike any other novel.